Pablo Estigarribia is a Latin Grammy winner tango pianist, arranger and composer. Like many artists of this genre, he began his training as a classical musician and soon branched out into the world of tango. He studied at the National Conservatory in Buenos Aires, where he won the Bienal Juvenil National Competition for Young Artists. After graduating, he spent several years on the frenzied performance circuit in Argentina, collaborating with the Congress Chamber Orchestra, the National Radio Orchestra, and the Chaco Symphony, among many others. Seeking to broaden his musical horizons beyond the classical realm, Estigarribia took a brief detour through jazz and then discovered tango in 2005. He quickly won the Orquesta Escuela de Tango scholarship and performed with this superb ensemble under the direction of Maestro Emilio Balcarce. Estigarribia continued working with Balcarce shortly thereafter when he first toured Europe.

Estigarribia rapidly established himself as a nuanced and masterful tango performer in Germany, France, Belgium, Japan, Russia, Finland, Canada, the United States and Cuba. He has been featured in over a thousand concerts, joining Argentine tango legends like Maria Graña, Victor Lavallén, Leopoldo Federico, Nestor Marconi, Horacio Cabarcos, Emilio Balcarce and many others. Estigarribia’s album Tangos Para Piano (EPSA) won the prestigious 2015 Gardel Prize for Best Tango Album by a New Artist. After receiving wide acclaim for this album, he earned coveted recognition from the Argentine tango industry as an expert in the art of tango music. He is a recipient of the Argentine Tango Society’s Medal of Honor for his educational forays at the Stowe Tango Music Festival (Vermont, USA) in multiple years. Estigarribia’s ascendancy brought him to Japan in 2016 where he was lauded in the Tokyo press following his performances. He then became sought after in the United States, where he played in New York’s famous Blue Note Jazz Club. He has made performance and interview appearances on NBC, Univision, Telemundo, and The Huffington Post.

After enjoying the privilege of 13 years of mentorship by legendary Osvaldo Pugliese arranger and bandoneonist Victor Lavallén, Estigarribia is proud to assume the role of teacher and transmitter of the tango tradition. He is delighted to showcase and share the beauty of tango's rich lineage, and gladly invites both the experienced and uninitiated to study the unique, seductive flair of tango. New generations of students and seasoned enthusiasts alike can advance their technical knowledge with Estigarribia’s compositions and arrangements. Above all, he seeks to reopen the passage of tango music repertoire to musicians who may not know where to start, so they too can delight in the genre's legacy. With that goal in mind, Estigarribia published his original compositions and arrangements of traditional pieces, Tangos de Concierto, and teaches, judges, and performs regularly at tango festivals and events all over the world.

Estigarribia splits his time between his native Buenos Aires, Argentina, and New York City.

See Pablo Estigarribia perform his Tres Tangos Concertantes for Piano and Orchestra with Symphony Parnassus on Sunday, June 11, 2023 at San Francisco Conservatory of Music. He returns to SFCM for a special Solo Recital on Saturday, June 17, 2023.

Hélène Wickett, piano

Hélène Wickett, piano

Hélène Wickett has regularly appeared as soloist with major orchestras and in solo recital throughout Europe and the Americas as well as being active as a chamber musician. Her London Wigmore Hall debut took place in 1985, Kennedy Center in 1986, Paris Opéra Comique and Rome Villa Medicis in 1993.

Ms. Wickett has appeared with the Cleveland Orchestra, BBC Philharmonic, Boston Symphony, Göteborg Symphony, San Francisco Symphony, Stockholm Philharmonic, Minnesota Orchestra, Residentie Orchestra of the Hague, Pittsburgh Symphony, Oslo Philharmonic, St. Louis Symphony, Graz Philharmonic, Dallas Symphony, Indianapolis Symphony, National Chamber Orchestra, Marseilles Opera Orchestra, New Jersey Symphony, Florida Orchestra, Alabama Symphony, Milwaukee Symphony, National Chamber Orchestra, New Mexico Symphony, San Diego Symphony, Reno Chamber Orchestra, Aalborg Symphony and the Irish Radio Television Orchestra among many others, with conductors Raymond Leppard, Paavo Berglund, Christoph von Dohnányi, Hans Vonk, George Cleve, Edo de Waart, Nicholas McGegan, Joseph Silverstein, Peter Erös, Eduardo Mata, Bernhard Klee, Mehli Mehta, Janos Fürst, Murry Sidlin, Michael Lankester and Michael Tilson Thomas. 

She has played solo recitals in virtually every major western musical capital. Winner of the Pro Musicis Foundation Award, she made her New York debut under their auspices in 1980. Through the Pro Musicis Foundation she also has played in many non-traditional venues such as hospitals, maximum-security prisons, drug rehabilitation centers and mental institutions for diverse audiences with limited access to live classical music. 

Born in Palo Alto, California to an American father and Austrian mother, she began piano and violin lessons at age 4, played her first solo recital at 6, made her orchestral debut at 8 and won the San Francisco Symphony Youth Auditions at age 11, making the first of numerous solo appearances with that orchestra. She entered Stanford University at age 16, after having lived in Paris for several years to study theory and composition with Nadia Boulanger. Her piano teachers were Alfred Brendel, Robert Casadesus, Elena Hitchcock, Benjamin Kaplan, Abram Chasins and Geneviève Joy. 

Ms. Wickett has performed some 70 concertos with orchestra as well as most of the chamber music repertory. A violin student of Henryk Szeryng, Stuart Canin, Jacob Krachmalnick, and Naoum Blinder, she also plays viola and harpsichord. She is principal violist for Symphony Parnassus. She has also studied voice in Vienna and is fluent in six languages.   

Hélène Wickett, piano

Hélène Wickett, piano

Hélène Wickett has regularly appeared as soloist with major orchestras and in solo recital throughout Europe and the Americas as well as being active as a chamber musician. Her London Wigmore Hall debut took place in 1985, Kennedy Center in 1986, Paris Opéra Comique and Rome Villa Medicis in 1993.

Ms. Wickett has appeared with the Cleveland Orchestra, BBC Philharmonic, Boston Symphony, Göteborg Symphony, San Francisco Symphony, Stockholm Philharmonic, Minnesota Orchestra, Residentie Orchestra of the Hague, Pittsburgh Symphony, Oslo Philharmonic, St. Louis Symphony, Graz Philharmonic, Dallas Symphony, Indianapolis Symphony, National Chamber Orchestra, Marseilles Opera Orchestra, New Jersey Symphony, Florida Orchestra, Alabama Symphony, Milwaukee Symphony, National Chamber Orchestra, New Mexico Symphony, San Diego Symphony, Reno Chamber Orchestra, Aalborg Symphony and the Irish Radio Television Orchestra among many others, with conductors Raymond Leppard, Paavo Berglund, Christoph von Dohnányi, Hans Vonk, George Cleve, Edo de Waart, Nicholas McGegan, Joseph Silverstein, Peter Erös, Eduardo Mata, Bernhard Klee, Mehli Mehta, Janos Fürst, Murry Sidlin, Michael Lankester and Michael Tilson Thomas. 

She has played solo recitals in virtually every major western musical capital. Winner of the Pro Musicis Foundation Award, she made her New York debut under their auspices in 1980. Through the Pro Musicis Foundation she also has played in many non-traditional venues such as hospitals, maximum-security prisons, drug rehabilitation centers and mental institutions for diverse audiences with limited access to live classical music. 

Born in Palo Alto, California to an American father and Austrian mother, she began piano and violin lessons at age 4, played her first solo recital at 6, made her orchestral debut at 8 and won the San Francisco Symphony Youth Auditions at age 11, making the first of numerous solo appearances with that orchestra. She entered Stanford University at age 16, after having lived in Paris for several years to study theory and composition with Nadia Boulanger. Her piano teachers were Alfred Brendel, Robert Casadesus, Elena Hitchcock, Benjamin Kaplan, Abram Chasins and Geneviève Joy. 

Ms. Wickett has performed some 70 concertos with orchestra as well as most of the chamber music repertory. A violin student of Henryk Szeryng, Stuart Canin, Jacob Krachmalnick, and Naoum Blinder, she also plays viola and harpsichord. She is principal violist for Symphony Parnassus. She has also studied voice in Vienna and is fluent in six languages.   

Elliot Wuu, piano

Elliot Wuu, piano soloist for the Symphony Parnassus June 11 concert, loves the deep feelings evoked by Rachmaninoff, the great Russian Romantic composer who also happens to be his favorite.

“I feel like I can connect with the strong emotions. I adore his heart-wrenching harmonies,” Elliot says.

Elliot, 17, lives in Fremont, Calif., and attends Valley Christian High School in San Jose. He studies piano with Yoshikazu Nagai at the San Francisco Conservatory of Music Pre-College Division, and when not practicing, he likes to play with gadgets and technology, and also loves to swim and play basketball. He has been studying piano since age 6.

His love of music began early: His parents told him that as a baby, he frequently slept next to the piano bench while his sister Rebecca practiced; she is now preparing to graduate with a piano degree from the Peabody Institute at Johns Hopkins University.

And as for Elliot, all those naps next to the piano bench, plus many years of practice have paid off.   

Elliot Wuu, piano

He is excited to play Rachmaninoff’s Rhapsody on a Theme of Paganini at the upcoming concert. “I am ecstatic to perform with Symphony Parnassus,” he said. “I hope I will be able to share my love of music with the audience, and to inspire them too!”

“I really like Rachmaninoff's creativity throughout this piece,” Elliot says. “He uses numerous ways to vary the Paganini motive to compose unique textures and expressions in each variation.”

The Rhapsody—one of Rachmaninoff’s most popular pieces—is actually a set of 24 variations on the 24th and last of composer Paganini's Caprices for solo violin. In 2015, Elliot performed it to win the Hilton Head International Piano Competition. That achievement is one of many national and international prizes he has won in his young career, including:  

• 2017 National YoungArts Foundation Finalist Winner
• 2017 U.S. Presidential Scholar in the Arts candidate
• 2014 Lang Lang International Music Foundation Young Scholar (2014-2016)
• 2016-2021 Music Teachers Association of California Young Artist Guild, the highest honor bestowed to California music students
• Two-time first prize winner of the Pacific Musical Society Competition, whose past winners include violinist Yehudi Menuhin and pianist Leon Fleisher