Posts tagged January 26 2020
Playful Prokofiev with violinist Pierce Wang on Jan 26
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Violinist Pierce Wang looks forward to mixing up some mischief when he performs the Prokofiev Violin Concerto No. 1 with Symphony Parnassus at its Jan. 26 concert.

“When I get to express this ‘devilish’ side, it’s really fun for me,” he says, “where I get to be different characters in the music.”

He especially loves the humorous, “twisted giddiness” of the concerto’s fast and furious middle section. “It has so many really fantastically funny moments,” he says. “There’s a part where it sounds like a bumble bee and is really nasty in such a funny way.”

Pierce joins Maestro Stephen Paulson and the Parnassus orchestra in a concert that also includes “Psalm Without Words,” by composer-in-residence Preben Antonsen, and Tchaikovsky’s Symphony No. 4 in F Minor. The 3 p.m. concert is at Taube Atrium Theater, 4th floor, 401 Van Ness Ave., San Francisco.

Pierce, 16, will be familiar to fans of Symphony Parnassus; two years ago, he performed the Conus Violin Concerto with the orchestra. He returns as a 2019 winner of the Symphony Parnassus / San Francisco Conservatory of Music Concerto Competition.

Pierce, who lives with his parents Evan and Karen Wang in the East Bay city of Fremont, is in the middle of his junior year with Stanford Online School, and he is also in the SFCM Pre-College Program, where he studies violin with Alena Tsoi-Barantschik.

He keeps himself busy with music and coding, sharing computer projects with his brother Austin, 21, who studies at Massachusetts Institute of Technology (MIT). Pierce also has another brother, Ryan, 23. Both brothers play guitar and Ryan also plays piano.

A new pursuit for Pierce is conducting lessons. “It’s really hard but really fun,” he says. “I did it partly because a friend was doing it, and it’s really helping me grow in my appreciation for all kinds of music.”

Pierce is a member of the Bach Piano Trio, named not for the composer, but for their first coach, Tim Bach. The trio performed the Shostakovich Piano Trio No. 2 last year at the Fischoff Chamber Music Competition in Indiana.

He is, of course, studying new violin repertoire. Besides Prokofiev, he is learning pieces by Bach, Paganini, Saint-Saëns and perhaps the granddaddy of them all, the Tchaikovsky Violin Concerto. “I’ve wanted to play it for a long time,” he says.

He started listening to the Prokofiev in a bid to expand his musical knowledge and became “obsessed” with the piece, asking his teacher to learn it. “I love going crazy with this piece. It’s so fun,” he says.

The concert with Parnassus will be his second time performing the Prokofiev concerto; in November, he played it with the Sonoma County Philharmonic. “I hope I can contribute something new to the piece for sure,” he says. “I hope the audience will be walking away from the concert smiling.”

Tickets for the Jan. 26 concert are $25 for adults; $20 for seniors and $10 for students 26 and under with I.D. www.brownpapertickets.com/event/4363762

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Composer Profile: Preben Antonsen

Preben Antonsen (b. 1991) graduated from Yale University in 2013, majoring in music and computer science. He has been composing since he was a small child, and studied composition with John Adams from 2001-2009. The San Francisco Symphony Youth Orchestra premiered his first orchestral work in March 2009. NPR’s program “From the Top” featured Preben as a young composer in 2008. Sarah Cahill commissioned him to write a piano work for her anti-war project, “A Sweeter Music,” which she performed in Berkeley and New York. He is a 2005 BMI Student Composer Award winner, and ASCAP recognized six of his compositions with Morton Gould Young Composer Awards in 2001, 2002, 2005, 2006, 2009 and 2010. He collaborated with other teenage composers and instrumentalists on the Bay Area new music concert series, “Formerly Known as Classical,” which seeks to engage teenage audiences.

Preben transcribed John Adams’ Second String Quartet for two pianos as Roll Over Beethoven, performed by Christina and Michelle Naughton in March 2016. The new music ensemble After Everything has premiered two of his works, Instruments of Straw for string orchestra and A Basil Tale for soprano and ten players.